Category: <span>Writing</span>

Unsound Methods Ep. 11: Olga Tokarczuk and Jennifer Croft

In the latest episode of Unsound Methods we speak to the winner of the Man Booker International prize 2018 Olga Tokarczuk and her translator Jennifer Croft.

man booker international 2018

Olga and Jennifer were joint winners of the prize for the translated version of Olga’s book Bieguni (Flights) and we caught up with them two days after their win to discuss the whirlwind of literary prize-winning, composing constellation novels, suppressing your first published book, and the challenges of translating fiction.

The superb ‘Flights’; is out now on @FitzcarraldoEds – https://fitzcarraldoeditions.com/books/flights

You can find Jennifer on twitter: @jenniferlcroft

https://embeds.audioboom.com/posts/6875193-olga/embed/v4?eid=AQAAADFcGls56GgA

Photo credit: Janie Airey

Engineering New Language

[excerpt from London Literary Review]

…It can be argued that the entirety of human civilization has developed purely because of our ability to create those fictions which allow us to co-operate. The idea of an all powerful god, the ideas of nationhood and culture, the concepts of money and capitalism.

These fictions are powerful but ultimately limited. They can be ignored. Tuned out. We can all recognize the difference between our own first-person experience and what we are told by others.

While religion or capitalism may appear seductive they are both abstract concepts, both lack any direct sensory component. We may believe we are part of a nation or cultural group but we can’t smell a country or taste culture.

language fiction Credit: ilcartello

The more our language has developed — broadened in vocabulary, branched into different tongues, deepened in meaning — the more persuasive and powerful these fictions have become but still language has limits.

What happens then when our communication is linked more deeply into our brain? When it is on a par with our other senses? Plugged directly into our first-person experience? Maybe even more primary to our existence than our sense of sight or of taste?

Is it not likely that the forms of fiction we will develop in such circumstances will run deeper even still? If the immediacy of these intercortical communications is on a par with immediacy with our sense of touch or taste will we not believe them more — even if they are deceptions?

A bridge to new language

This is not to say that we will be hoodwinked or deceived in some way — at least no more than mankind was hoodwinked with the development of language.

Language has deepened our understanding of the natural world, doubtlessly, but it has also allowed us to create rich and deep fictions which in some cases allow people to manipulate whole populations. Is it not likely similar themes will play out with any new form of communication?

The rats in the Duke experiment already exhibited some signs of emergent behaviour. Since both rats got a reward each time the decoder chose correctly, the encoder rat started to try and aid its partner in the US by adjusting its movements to create a clearer signal.

Over the course of the experiment the Brazilian rat refined its movements making clearer, smoother presses on the lever. In this case, the system was set up to favour collaboration but what would the result be if only one rat could receive a reward each time? Would the Brazilian rat try to obfuscate its mental signal?

When it comes to human social interactions there are of course a far wider range of options than simply ‘left’ or ‘right’ lever. Some people will blurt out whatever is in their head while others show icy restraint, some people speak plainly while others always rely on irony, some people invariably tell the truth while others lie incessantly.

Would intracortical microstimulation make these variations less pronounced or more? Would an additional sensory input lead to fewer lies or more?

Before the first written language, human cooperation was limited but so too was organised religion or nationwide warfare. Certainly written language has done little to reduce the amount of fiction in the world.

It begs the question — what forms of language will this lead us to?…

 

Read the full article at London Literary Review

Final typesetting for The Wave

I’ve not had time to post as much as I’d like recently but I wanted to share the title page from the final typeset proof of The Wave. Dead Ink have done an excellent job and I cant wait to see it in its physical form.

TheWavetypesettitle

/front

Everything is now looking pretty finalised and the files should be going to print soon so hopefully the first hardbacks will be coming off the presses in a matter of weeks.

More details to come about the launch but we are aiming to hold it somewhere in central(ish) London in March so keep your eyes peeled if you like either strange, new fiction and/or free wine….