While Grimeborn may take its name from the more established opera festival at Glyndebourne, it is unlikely that it shares many of its visitors. With none of the pomp of is south coast namesake, this short programme of events in East London’s Arcola Theatre has taken a more experimental, tongue-in-cheek approach, bringing opera to the streets.
The Arcola may have recently completed a renovation but the space remains obstinately bare and simple. The main stage is not much of a stage at all – more a small floor space surrounded on three sides by raised seating, supported by scaffolding poles. A Dalstonesque theatron, the exposed brick and scaffold creates a space designed for chamber productions and up-close theatre as opposed to symphonic compositions viewed from the gods.
Go in bold they said, throw in some sex, that will catch their attention. Great advice that was! It’s that sort of thinking that led to all this shit, that led to all this relentless hustling….
Trade is set in a near contemporary world where apps control our love life and the sexual partners we choose.
The narrator, a nihilistic employee at a Berlin-based social network, chronicles the early days of the new sexual economy and the terrible price he has to pay as his girlfriend, Lis, is propelled to stardom.
What would you do in a world where your sexual partners were chosen for you?
Trade is out now – click the link below to get a copy.
I am delighted to say that Calliope, the official publication of the Writers’ Special Interest Group (SIG) of American Mensa, will be publishing a piece of my short fiction entitled The Crow in their upcoming Winter 2012/13 issue.
I am pleased to announce that The Flaneur magazine has published my short piece ‘Eat, Pray, Leaves’. This is a super zine with a load of great articles on Art and Culture so its brilliant to be included.